Masters of Fantasy: Part XIII

Now we come to our last big list of children’s authors. This will probably be the biggest one, despite my efforts to divide them up fairly. I don’t have much else to say, so let’s just start.     E. B. WHITE (1899-1985) The career of E. B. White’s, a graduate of Cornell University, was highlighted as an essayist for The New Yorker, being one of its most notable contributors, as well as a co-author with William […]

Masters of Fantasy: Part XII

Now we move completely into the 20th century in this continued look at children’s authors. Enjoy!     NORTON JUSTER (1929- ) A Lieutenant Junior Grade in the U.S. Navy’s Civil Engineer Corps, Norton Juster has made his career as an architect primarily, but he is best known as the author of The Phantom Tollbooth, in which a boy is whisked away into the metaphorical Kingdom of Wisdom, where the loss of the princesses Rhyme and […]

Masters of Fantasy: Part XI

Once again, we dip into the realm of children’s fantasy, both intended for children and appropriated by children. Let’s dive right in.     E. NESBIT (1858-1924) Co-founder of the Fabian Society and a follower of William Morris, Edith Nesbit may have led a troubled personal life, but her contribution to fantasy influenced P. L. Travers, Diana Wynne Jones, J. K. Rowling, and even C. S. Lewis, having turned the focus away from secondary worlds to […]

Masters of Fantasy: Part X

I don’t really have any good excuses for inactivity. I’ll try to do better.   In my last installment of “Masters of Fantasy”, I said that I would focus on more children’s authors the next time. Nothing’s changed, but I’ve found that there are more authors than I thought there would be, so for the next four installments, in order to save myself from doing too much or overwhelming you all in a single post, […]

Masters of Fantasy: Part IX

It’s a rather recent development that fantasy is getting widespread critical acceptance. It’s strange, though. Fantasy isn’t something that should be dismissed as mere children’s work, and yet it seems that some of the most influential pieces have started as and/or are intended to be entertainment for children and young adults. Even The Lord of the Rings began that way. Still, some stigmatization exists, perpetuated by veins of literary snobbery, but that shouldn’t consign anything […]